It is an often-repeated piece of advice in certain circles that jointly caring for a canine companion following a split is a recipe for trouble. Most will argue such setups prevent former couples from moving forward, cause practical headaches, lead to tension, and are a nuisance for everyone involved. As it turns out, in a revelation fit for a direct-to-platform film, it also makes the canine in question to become depressed.
Not to downplay the inner life of dogs – many owners attest to their deep emotional capacity. If you need prime example in canine melancholy, consider recent cinema. There is little doubt that a dog like Merv, a spirited little dog portrayed by the canine actor Gus, would find it difficult coping with split households. Whether this premise an entire Christmas romance on this conflict works effectively remains a questionable prospect.Standard Holiday Fare
Fairness demands noting, Merv, crafted by the writing duo and under the guidance of playwright Jessica Swale, makes no grand claims more profound than a light film. It functions as a holiday release from a streaming platform giant – the complexity are modest. Its storyline unfolds as uncomplicated: a separated couple Russ (Charlie Cox) and Anna (Zooey Deschanel), confronting that their own sadness is surpassed by their dog's, decide on a uplifting getaway to a luxury pet hotel. At this location, predictably, they will undoubtedly realize the idea that they belong with each other. The supporting cast – including familiar faces – serve as the usual assortment of types. Visually is reminiscent of a branded content, with a holiday backdrop that is visibly contrived – think fake snow clinging to green trees as a summer location doubles as a cold December city.
Where the Film Shines
If these standard ingredients coalesce into an entertaining watch rests upon the execution and an acceptance of comfort viewing. Regarding the second aspect, Merv knows its audience – individuals who browse regularly for dog videos. The film delivers a plethora of canine-centric sequences. The central draw is the canine star, and though it results in some awkward editing between the pet's "lines" and human reaction, the movie does offer canine party antics, pet moping, and, ultimately, a tail-wagging resolution.
The Human Element
The same praise does not extend for the romantic plot. The film's approach wavers between relationship drama, zany antics, formulaic romance, and outright slapstick, not quite landing a single genre. This is not the actor playing Russ, who is admirably committed the humiliating and funny inherent in the bizarre setting. His performance contains a likable self-deprecation that supplies a significant portion of the appeal for this on-the-rocks couple. Zooey Deschanel, true to her usual style, imparts a particular brand of eccentricity that will click for some but not others. Her Anna seems a bit too dry, notably when alongside Cox's heartfelt sincerity. (It should be noted, the canine performer manages flopping and whining – he may not be a canine thespian of that caliber, he is still an excellent dog.)
The story strives to provide depth to the central romance for moments when the dog is absent – a bit of a pity, since Merv is easily the cutest element of this cute-aiming movie. As one might predict, it achieves only baseline competence. The catalyst for their separation could have been more grounded and mature with more screen time and fewer direct statements. Ultimately, Merv is gentle and pleasant, fulfilling precisely what you anticipate. Making a film with this canine conflict isn't a bad idea – though I wouldn't call it a brilliant concept.
- Merv premieres on the Amazon platform starting December 10.
